Ivanhoe
Ivanhoe was the first of Scott’s novels to adopt a purely English subject and was also his first attempt to combine history and romance, which later influenced Victorian medievalism. Set at the time of the Norman Conquest, Ivanhoe returns from the Crusades to claim his inheritance and the love of Rowen...
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| LEADER | 01827nam0a2200361 4500 | ||
|---|---|---|---|
| 001 | RU/IPR SMART/83518 | ||
| 856 | 4 | |u https://www.iprbookshop.ru/83518.html |z Перейти к просмотру издания | |
| 801 | 1 | |a RU |b IPR SMART |c 20250903 |g RCR | |
| 010 | |a 978-5-521-06015-3 | ||
| 205 | |a Ivanhoe |b Весь срок охраны авторского права | ||
| 333 | |a Весь срок охраны авторского права | ||
| 100 | |a 20250903d2018 k y0rusy01020304ca | ||
| 105 | |a y j 000zy | ||
| 101 | 0 | |a rus | |
| 102 | |a RU | ||
| 200 | 1 | |a Ivanhoe |f W. Scott | |
| 700 | 1 | |a Scott, |b W. |4 070 | |
| 330 | |a Ivanhoe was the first of Scott’s novels to adopt a purely English subject and was also his first attempt to combine history and romance, which later influenced Victorian medievalism. Set at the time of the Norman Conquest, Ivanhoe returns from the Crusades to claim his inheritance and the love of Rowena and becomes involved in the struggle between Richard Coeur de Lion and his Norman brother John. The gripping narrative is structured by a series of conflicts: Saxon versus Norman, Christian versus Jew, men versus women, played out against Scott’s unflinching moral realism. | ||
| 210 | |a Москва |c T8RUGRAM |d 2018 | ||
| 610 | 1 | |a художественная литература | |
| 610 | 1 | |a английский язык | |
| 610 | 1 | |a зарубежная проза | |
| 610 | 1 | |a классика | |
| 610 | 1 | |a роман | |
| 675 | |a 82 | ||
| 686 | |a 84 |2 rubbk | ||
| 300 | |a Книга находится в премиум-версии IPR SMART. | ||
| 106 | |a s | ||
| 230 | |a Электрон. дан. (1 файл) | ||
| 336 | |a Текст | ||
| 337 | |a электронный | ||
| 503 | 0 | |a Доступна эл. версия. IPR SMART | |
| 215 | |a 630 с. | ||